Timothée Chalamet and Zendaya reunite for "Dune: Part Two," as Denis Villeneuve's epic sequel finally delivers the action that the first film promised.
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With great power comes great camp, as "Madame Web" - starring Dakota Johnson as the titular Marvel character - continues Sony's Spider Man-less Spider-Verse.
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"Lisa Frankenstein" is an energetic, delightfully macabre production that might just be one of the most surprisingly entertaining of 2024.
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Matthew Vaughn's new spy caper "Argylle" gets lost in its own twists and fakeouts, leaving little for viewers to really care about.
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Steven Soderbergh's ghost story "Presence," told from the spirit's POV as it haunts a house, premiered at Sundance and stars Lucy Liu and Chris Sullivan.
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Starring River Gallo and Dylan O'Brien, Sundance's "Ponyboi" is a riveting crime film that faithfully portrays an intersex character on the big screen.
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Sam and Andy Zuchero's "Love Me" is ambitious and creatively-shot, but gaps in logic make it hard to empathize with the characters.
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From "Captain Marvel" directors Anna Boden and Ryan Fleck, "Freaky Tales" is a fun, confident anthology movie about Oakland underdogs. It premiered at Sundance.
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Jason Statham floats like a butterfly and stings like a bee in David Ayer's otherwise horribly bland and rote new action film, "The Beekeeper."
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The original "Mean Girls" shook the world when it premiered in 2004. The 2024 musical remake can't measure up, but Reneé Rapp kills it as the new Regina George.
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There are traces of a better movie in "Night Swim," and as bad movies go, it's not offensively bad. But you can safely skip this.
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Andrew Haigh's "All of Us Strangers" grapples with grief, loss, and loneliness in a profound way, tackling its themes while avoiding trite narrative devices.
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"Aquaman and the Lost Kingdom" is far from the disaster that some predicted, but James Wan's DC superhero sequel still sinks more than it swims.
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Blitz Bazawule takes a stab at the musical version of "The Color Purple." The 2023 musical has plenty of drama, music, and dancing, but it doesn't all cohere.
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Zack Snyder's Netflix space western "Rebel Moon" might be imitating "Star Wars" and "Seven Samurai," but it's so bold that it has to be seen to be believed.
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Zac Efron plays the cursed wrestler Kevin Von Erich in Sean Durkin's "The Iron Claw," an A24 release about the most tragic family in wrestling history.
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Bradley Cooper and Carey Mulligan command the screen in "Maestro," a powerful and visually astonishing Netflix biopic about composer Leonard Bernstein.
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With "Poor Things," Yorgos Lanthimos reunites with "The Favourite" star Emma Stone for a new fantastical, arch, feminist riff on "Frankenstein."
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Cord Jefferson's exceptional directorial debut, "American Fiction," features a dazzling performance from Jeffrey Wright and some sharp satire.
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Paul King's confectionary prequel "Wonka" is nowhere near as bad as the previews look - in fact, it's a joy, in no small part thanks to Timothée Chalamet.
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"Leave the World Behind" would have been better without its many twists and turns that ultimately leaves the viewer out of patience.
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Cheaper, meaner, and more complicated than the American "MonsterVerse" titles, the new Japanese film "Godzilla Minus One" is a satisfying, fearsome blockbuster.
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"Wish" tries to honor Disney's classic fairy tale adaptations, but it also can't resist some of modern animation's more cringey affections.
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Barry Keoghan shines in "Saltburn," an aesthetically gorgeous take on class structure that never fails to engage the audience.
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Joaquin Phoenix takes on one of his biggest roles to date in "Napoleon," co-starring Vanessa Kirby, as Ridley Scott's historical epic covers the emperor's life.
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Nicolas Cage is a college professor who appears in everyone's dreams in A24's November release "Dream Scenario," but the satire leaves a lot to be desired.
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"The Hunger Games: The Ballad Of Songbirds and Snakes" is a gripping prequel with a great cast, but the love story is the least interesting aspect of the film.
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